
Shakespeare
Volume 4, Issue 2
SPRING 2000
NEWS ON THE RIALTO
A compendium of courses, conferences, and theatre performances around the world.

TEACHING SHAKESPEARE
Where There's A Will,
There's a Way
Christina B. Carpenter uses rapster Will Smith
to familiarize students with the figurative language of Shakespeare.
Students Publish Shakespeare Periodicals
Through journalism Siobhan Berry and Mary
Pitman-Jones lead students to a close study of Shakespeare passages.
Strip Sonnets
Monica Wiener starts with single lines and
produces full-blown sonnet analysis.
INTERVIEW
Why Active Teaching Works: The Nature of
Words and Students
Shakespeare editor Nancy Goodwin interviews Rex
Gibson.
MY FAVORITE PRODUCTION
Shakespeare scholars name their favorite Shakespeare
production and describe its splendors. |
|

Julia Stiles as Ophelia in Michael
Almereyda's Hamlet
FEATURED ARTICLES
Gertrude and Claudius
Louisa Newlin reviews the new Updike prequel
to Hamlet.
Almereyda's New Urban Shakespeare:
Hamlet as Manhattan Filmmaker
Preview of the just-released movie.
The Ghost of Hamlet's father
disappears into a Pepsi machine; Hamlet delivers his famous soliloquy
in the aisles of Blockbuster Video; Claudius is the CEO of Denmark
Corporation, a high-tech, multinational conglomerate; Hamlet aspires
to be a digital video filmmaker. But these images and
references, which abound in the new Miramax release, are not without a
purpose. "Global corporate power seems at least as
treacherous as anything going on in a well-oiled feudal empire of
Shakespeare's day," director Michael Almereyda explains.
"But I intended the corporate media angle to go deeper than just
that easy correspondence. It relates to the whole look and scope
of the film."
BROADSHEET
Take time to look at rhyme.
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