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Playing King Lear Jan Kott says that King Lear can be compared to “Bach’s Mass in B Minor, to Beethoven’s Fifth and Ninth Symphonies, to Wagner’s Parsifal, Michelangelo’s Last Judgment, or Dante’s Purgatory and Inferno." Harold Bloom suggests that King Lear should only be read and not performed. “Our directors and actors are defeated by this play,” he says. “We ought to keep rereading King Lear and avoid its staged travesties.” Bloom notwithstanding, many of our greatest actors continue that long tradition of taking on the character that Shakespeare refers to as “every inch a king.”
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